On the set of Bloody Bloody Andrew Jackson, bike tires and antlers became chandeliers, Western Beef billboards became giant catfood cans, overloaded with lights and scraps, even the centerpiece, a life-scale model of a horse bound and hog-tied, was reused from an equestrian play at Joe’s Pub that Meghan had worked on previously. A skill that had been honed due to sheer financial necessity on smaller Off-Broadway productions was suddenly showcased in a big way.